I can’t even tell you how excited I am to be writing this blog post right now. After three long years since the last Iceland Noir in 2018, my favorite crime fiction festival is back!!! In less than two months, I’ll be heading to Reykjavik to attend my third Iceland Noir crime fiction festival—and this year, I’m going to be moderating some amazing panels as well as attending as a fan!! In this blog post, you can learn more about Iceland Noir, check out a preview of some of the authors who will be attending, and more!
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Book Review: THE GIRL WHO DIED by Ragnar Jonasson
Icelandic crime writer Ragnar Jonasson has been a staple of Crime by the Book ever since I started this blog, and this coming week, Ragnar’s first-ever standalone novel will be published here in the US. THE GIRL WHO DIED is a significant departure for an author who has built an international brand on his classic-crime-inspired detective novels; now, in his newest release, Ragnar sets his sights on a story of psychological suspense that dabbles in the possibly-supernatural. In THE GIRL WHO DIED, readers follow a young woman who accepts a teaching position in a very remote Icelandic village, only to discover that she has unwittingly moved into a community that is even more insular and sinister than she could ever have imagined. Fans of Ragnar’s previous releases will recognize in his newest novel his elegant and subtle writing, and his masterful ability to paint a vivid picture of Iceland’s landscape and atmosphere; readers of Ragnar’s work both new and old will fall under the hypnotic spell of his most chilling story yet in THE GIRL WHO DIED. Though not a traditional Nordic Noir novel, THE GIRL WHO DIED nevertheless holds significant appeal for fans of the Scandinavian crime tradition, and will also appeal to readers who love suspense tinged with the supernatural, and crime stories set in small towns. Pick up THE GIRL WHO DIED for a brooding, slow-burning, haunting tale of suspense.
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Nordic Noir November: Spotlight on Icelandic Crime Fiction
Happy Sunday, readers! Welcome back to our weekly spotlight on Scandinavian crime fiction! If you’re new to CBTB, every Sunday this November, I’m spotlighting crime fiction from a particular Nordic country, and sharing a rundown of my personal favorite crime writers from that country. We’ve already explored Norwegian crime fiction, Swedish crime fiction, and Danish crime fiction, and this week, we’re “traveling” to beautiful Iceland! This blog post is going to be shorter than my previous Nordic Noir November posts for a very simple reason: when it comes to Icelandic crime fiction, I have two ride-or-die authors whose work I will literally always read, no matter what, and those are the two authors I want to spotlight for you all today. There are a number of fantastically talented Icelandic crime writers whose work has been translated to English (and many more whose work looks very intriguing, and I hope will be translated to English soon!), but as has been the case with all my previous installments in this series, I want to keep this list focused on highlighting just my personal favorite authors from each country. When it comes to Icelandic crime fiction, that means I’ve got two authors to spotlight for you today! Whether you love creepy, horror-inspired thrillers, modern mysteries with classic crime vibes, or gritty procedurals, my two favorite Icelandic crime writers have a book for you.
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Cover Reveal: THE GIRL WHO DIED by Ragnar Jonasson
If you’ve been around Crime by the Book for a while, you will already know what a huge fan I am of Icelandic crime writer Ragnar Jonasson. Thanks to Ragnar’s US publisher, Minotaur, I am beyond excited to be able to exclusively reveal the cover for Ragnar’s first standalone crime novel, THE GIRL WHO DIED—publishing in the US in May 2021! Read on to view the book’s beautiful cover, learn more about the plot, and check out Ragnar’s previous series while you’re at it.
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Book Review: THE MIST by Ragnar Jonasson
Very few recent crime fiction series have hooked me the way Ragnar Jonasson’s Hidden Iceland Trilogy has. This impeccably-crafted Icelandic crime series is an astonishing accomplishment: a trilogy plotted as beautifully as it is written, brimming with the humanity of its characters and immersing readers in the stunning landscape of Iceland.. In the Hidden Iceland books, author Ragnar Jonasson wraps readers up in the chilling atmosphere of his trilogy’s setting, and draws readers into the inner life of its endearing and compelling protagonist. The Hidden Iceland trilogy has captivated me with its stylish prose, clever plotting, and unputdownable suspense, and with THE MIST, Jonasson delivers a conclusion worthy of its exceptional predecessors. In THE MIST, readers follow series protagonist Hulda Hermansdottir as she returns to work following a personal leave necessitated by an undefined tragedy. Hulda will soon face a disturbing - and puzzling - case: a mysterious death at a remote farmhouse in the Icelandic countryside, where two bodies have been found. Weaving together Hulda’s personal life with an extended flashback at the farm in the lead-up to our victims’ deaths, THE MIST is a complex and heartbreaking mystery, a feather in the cap of an already-exceptional crime fiction series. If you’re in the market for elegant suspense that relies more on atmosphere and character development than blood and gore, Ragnar Jonasson’s superb Hidden Iceland trilogy might just be your perfect match. I will sincerely miss this series and its standout protagonist, but I am already looking forward to seeing what Ragnar will write next.
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